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Školní zkušenosti jihočeských Punkerů v 80. a 90. letech 20. století
KOPECKÁ, Barbora
The bachelor thesis will focus on the members of the south bohemian punk subculture, who were born between 1970-1980 and their experience with education system between 1980-1990. The main focus of examination will be the perception of the school, schoolmates, teachers and results of the examined people, especially their journey through educational system in relation with the social issues of 1989. The theoretical part defines the word punk and provides some basic information about it. The practical part contains of qualitative research in form of structured interviews which will be later interpreted. Another aim of the thesis is to provide an explanation about the motifs of joining the punk subculture and it's influence on the school attendance and studies in general. The main question of discussion will be the role of punk subculture, which could have either negatively influenced the respondents' studies or had zero impact. The next concern will be the image of educational system and studies of the interviewed individuals after leaving the punk subculture.
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Punk's not dad - A radio documentary concerning the transmutation of life values of members of the punk subculturer
Trajerová, Magdalena ; Gulda, Jana (advisor) ; Hroch, Miloš (referee)
This practical work Punk's not dad - A radio documentary concerning the transmutation of life values of members of the punk subculture regarding the upbringing of children, as the name suggests, is dedicated to the change in the life values of punk subculture members due to raising children. Based on interviews with five protagonists and reportage footage from the punk environment, it answers the question of how punks work with values such as rejection of the future, resistance to the system or, for example, denial of authorities, in raising their children. The theoretical part of the thesis describes the specifics of radio production. Furthermore, the work contains definitions of basic radio genres with emphasis on the radio documentary, which is the main outcome of my work. The next section looks at punk and how this movement can affect a young person. In the last part I present my work. I deal with the aim of the document, the selection of the main protagonists, the script, the job description and the chosen methodology.
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Meaning of Tattoo in hardcore subculture
Řápek, Marek ; Heřmanský, Martin (advisor) ; Kolářová, Marta (referee)
This work deals with the phenomenon of tattoo in hardcore subculture. In the theoretical part it reflects the transformation of the concept of subcultures in his historical progress, with an emphasis on the concept of style in the connection of the Center of contemporary culture Studies and post subcultural theory, especially the writing of David Muggleton. The diachronic perspective, this work also deals with the phenomenon of tattoo and its functions and meanings to it in today's society ascribed. An integral part of the theoretical part is to describe hardcore only in terms of its progress in the USA and in Czechoslovakia or Czech Republic, but also in terms of the side of music and shared ideology, which is the main key featuring to this subculture. Concepts described in the theoretical part are then used in actual research, which is conducted by using qualitative methodology. Exploration aims to describe the meanings and functions of the hardcore subculture and determine whether they are content and motivation ascribed to tattoo influenced subcultural ideologies, or whether it is primarily an expression of the contemporary individualistic discourse. In this work tattooing is examined in terms of its individual nature with regard to the subcultural, or wider, societal context, which together...
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SLOVAKIAN PROBE. Negotiation of local identity of alternative bands in Moravian Slovácko.
Svobodová, Veronika ; Jurková, Zuzana (advisor) ; Seidlová, Veronika (referee)
The goal of this musical anthropology qualitative research, mainly based on the field work, is to describe, analyze and interpret the process of construction of local identity of an alternative bands in Moravian Slovácko. The subject of this research are mainly two music bands from Slovácko - PSCrew and 12:PIET. PSCrew band represents hip-hop style and 12:PIET ranks among punk style bands. The musical production of these bands is defined (using an emic term) as an alternative folklore. With a use of theoretical concepts of stereotype and partially also retro and revival, I tried to demonstrate how these alternative musicians with an emphasis to their authenticity by the means of their musical spheres (so called soundscapes) pursue their notion of what is considered to be related to Slovácko and how the negotiation of their local identity is involved. For that the locally defined stereotypes are often used. These are typically recontextualized by its adaptation into the form that reflects the postmodern period.
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Punk: History, main features and subculture
Šimková, Anna ; Vít, Radek (advisor) ; Červinková Poesová, Kristýna (referee)
The bachelor thesis deals with music history of punk and the main participants of the first punk generation, especially with the band the Sex Pistols, it provides comparison of the contemporary and the former punk followers, it creates the overview of the main features and activities related to punk, it examines definitions of the word 'punk' and describes how members of punk subculture act. The thesis is also concerned with connection of punk and political opinions, which is crucial for this music genre. The beliefs of the literary authors are contrasted with experience of the author of the thesis. The content of the thesis is comprehensive; it covers the most essential attributes of the punk movement. Key words: punk, the Sex Pistols, band, music, fan, subculture
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Is Punk Dead?
Lučan, Ondřej ; Oravcová, Anna (advisor) ; Wladyniak, Ludmila Maria (referee)
Tato práce se zabývá proměnou punkové subkultury v českém prostředí od konce 70. let do současnosti. Zaměřuje se především na změnu životních hodnot a kontextu se zlomovým bodem, za který je označován pád komunismu. Je zde analyzován vývoj subkultury, která se rodí ve pojených státech amerických 70. letech, odkud se rozšířila do celého světa. Je typická odporem ke konzumní společnosti, válkám, nacismu, korporacím a hlavně nesvobodě. Mezi roky a 1977 se punk dostává i do tehdejšího Československa, kde v kontextu vlády komunistické strany dostává nový rozměr. Práce popisuje rozpor mezi příslušníky komunity a veřejností, kterou jsou tito lidé označování za závadovou a nebezpečnou mládež. Subkultura se potýká s represemi a omezeními až do pádu socialismu začnou vznikat nové odnože, souvislosti se společenským vývojem roste nová tvář subkultury, která se již zabývá konkrétnějšími problémy, jako jsou práva zvířat, či plýtvání. V analýzu použit kvalitativní výzkum ve formě zúčastněného pozorování a rozhovorů se zástupci současné i původní vlny. Rozhovory napovídají, že objektem zájmu je stále pojem "svoboda" a k proměně dochází spíše v konkrétních terých se této hodn příslušníci subkultury dožadují. Spolu s tím stoupá rozmanitost odnoží a angažovanosti členů Přínosem práce je pohled na členy komunity jakožto na...
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"God Save the Queen": History of the Punk in the Iron Ladyʼ Era (1975-1990)
Šmigol, Ondřej ; Kovář, Martin (advisor) ; Soukup, Jaromír (referee)
The thesis focuses on the analysis of the relations between the punk movement and Thatcherism. It explores the roots both of Thatcherism and punk in the seventies and eighties. Next it examines the social and economic crisis of Britain in these years and its consequences on the thinking of the youth and Conservatives. It show both movements had common starting- points and to a certain extent even conclusions. The thesis the focuses on punk's effect on politics and its perception by the society. It also analyses the political background in the second half of 1970s and the victory of Margaret Thatcher in the 1979 election. The last part of the thesis discusses the second punk generation and its perception of Thatcherism. In the end it examines the political conversion of old punkers.
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Myths of the czech music alternative in the 1980s
Jonssonová, Pavla ; Jurková, Zuzana (advisor) ; Horský, Jan (referee) ; Maderová, Blanka (referee)
Dissertation "Myths of the Czech Music Alternative in the 1980s" presents an anthropological view of the phenomenon of a parallel culture in a limiting situation. On the basis of biographical narratives, additional interviews and data gained from other types of sources, "myths" are constructed for seven major figures of the Czech alternative scene. This is an insider's ethnomusicological interpretation, based on Mircea Eliade's and Bronislaw Malinowski's concepts of myth as recurrent and exemplary models of behavior. The described personalities, Jazz Section (Prometheus), Miroslav Wanek ("hero's journey") Karel Babuljak ("search for paradise lost"), Pavel Zajíček (Odysseus), Mikoláš Chadima ("Rebel"), Oldřich Janota (Hermes), and Marka Míková (Psyche), represent some of the main trends in creative processes of the Czech music alternative scene with myth being used as a metaphor. The metaphor is understood here in the terms of Timothy Rice, i.e. as an organization principle of our thinking, as well as an illuminating image.
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